Australian performers Shane Dundas and David Collins, directed by Philip W.M. McKinley, serve up a subversive funhouse of human animation, skewering pop culture along the way.
Inspired by cartoons and the movies, THWAK combines physical feats of agility, remarkably accurate aural imitations, and a healthy dose of humor to create a series of set-ups, each more surreal than the last. Using mime, precision lip-synching, uncanny sound effects, pratfalls, high-speed chases, and hand puppets, the duo soar though a raucous hour and a half of comic mayhem. An invisible dog plays catch with an invisible hand grenade (not to worry, the imaginary dog is unharmed, but cleverly replaced by a fake imaginary dog).
Audiences take an audio tour through the intestinal, pulmonary, and cardiac sounds of Collins’ body and the paranoid turmoil of his brain. A battle with a persistent housefly becomes a kung-fu extravaganza worthy of Jackie Chan. Cowboys lose their mounts and Kermit the Frog gets sautéed for dinner. And somehow,