Criterion Center Stage Right run:
Starring Kevin Geer (Jonesy); Wendy Makkena (Terry); Michael Mastro (Ziggy); Robert Sella (Clifford); Joseph Lyle Taylor (Al); Angelica Torn (Patsy) and Frank Wood (Gene)
Understudies: Jeff Binder (Al, Clifford, Ziggy), Geoffrey P. Cantor (Ziggy, Gene, Jonesy) and Marissa Matrone (Patsy)
Roundabout Administrative Director: Sydney Davolos; Company Manager: Peilin Chou; Production Supervisor: Jay Adler; Production Stage Manager: Andrea J. Testani; Production Manager: Michael Curry; Roundabout Director of Development and Public Affairs: Julia C. Levy; Roundabout Director of Casting and Artistic Associate: Jim Carnahan; Roundabout Director of Marketing: David Steffen; Press Representative: Springer/Chicoine Public Relations;
John Golden Theatre run:
Starring Christian Slater (Clifford); Edie Falco (Terry); Marissa Matrone (Patsy/Terry); Andrew McCarthy (Clifford); Michael O’Keefe (Gene); Robert Sella (Clifford); Angelica Torn (Terry) and Scott Wolf (Clifford)
Assistant Director: Hayley Finn; Assistant Scenic Design: Matt Maraffi; Assistant Costume Design: Nina Depalma; Assistant Lighting Design: Martin Vreeland; Assistant Sound Design: David Gilman
General Manager: Roy Gabay; Company Manager: Alan R. Markinson; Technical Supervisor: Gene O’Donovan; Stage Manager: Brendan Smith; Production Supervisor: Aurora Productions
Casting: Matt Messinger; Roundabout Director of Marketing: David Steffen; Marketing: The Richards Group; Online Marketing: Toby Simkin / BuyBroadway Inc.; Press Representative: Boneau / Bryan-Brown; Advertising: Nappi / Eliran / Murphy, Ltd.
As Founder and CEO of Theatre.com and BuyBroadway.com. The pioneer in moving the Broadway industry onto the internet. Press branded me as “Toby is the man pushing theatre, kicking and screaming, into cyberspace.” What started in 1989 as a Broadway industry service called ShowCall via dialup BBS for members of the League of American Theatre Producers evolved onto the world wide web in 1993, and shortly after this, the vast majority of Broadway shows (starting with my production of Victor/Victoria) and theatrical organizations followed. Described by Variety Magazine as a “marketing powerhouse“, it was the single largest theatre community in the world with over 180,000 active members. From buying official Broadway tickets and souvenirs, providing detailed global show listings, interactive show study & educational guides, live streaming shows and events (including many Opening Nights), industry news from major theatre journalists, pictures and videos, games, messaging directly to Broadway cast’s backstage or even licensing a musical, theatre.com offered it all in a single, easy-to-use interface to theatregoers across North America and globally. The “Super site of Broadway” became a publicly traded company, prior to my re-branding it as Theatre.com at the Minskoff Theatre.