Project Description

Saturday Sunday Monday (QTC Brisbane) [Program] Cover


QTC The Queensland Theatre Company

Saturday, Sunday, Monday
The Queensland Theatre Company

SATURDAY, SUNDAY, MONDAY by Eduardo De Filippo with English adaptation by Keith Waterhouse and Willis Hall, from July 13 to 31, 1982 at the SGIO Theatre in Brisbane for the Queensland Theatre Company.

Directed by John Krummel; Designed by James Ridewood; Lighting Design by Jamie Henson; Stage Managed by Ellen Kennedy; Assistant Stage Managed by Toby Simkin and Cooking Coordination by Lloyd Nickson.

STARRING Reg Gillam (Antonio, the grandfather); Philippa Baker (Rosa, the mother); Ron Haddrick (Peppino, the father); Christine O’Connor (Maria, the daughter-in-law); Duncan Wass (Roberto, the oldest son); Scott McGregor (Rocco, the youngest son); Zoe Bertram (Giulianella, the daughter); Marcella Burgoyne (Aunt Meme, Peppino’s sister); Eugene Gilfedder (Attilio, Aunt Meme’s son); Peter Noble (Raffaele, Peppino’s younger brother); Dale Murison (Virginia the maid); Geoff Cartwright (Federico, Giulianella’s fiancé); David Clendinning (Luigi Ianniello, the accountant); Betty Ross (Elena, Luigi’s wife); Reginald Cameron (Catiello, the tailor) and Toby Simkin (Michele, Virginia’s brother).

Understudies included Karen Crone (female roles).

And for the Queensland Theatre Company:
(collectively over my tenure)

Executive Staff: Alan Edwards, AM MBE (Founding Artistic Director); Peter Duncan* / Gregory Gesch* (Assistant Director); Arthur Frame (Production Manager); Gillian Coar (Executive Officer); Christine WalshKen Kennett (Public Relations & Publicity Officer); June Craw (Finance and Business Officer); Lewis Savage (Subscriptions Officer); Yvette (Capt) O’BrienHelen Mayes (Clerical Assistant); Lloyd Nickson (Director, Theatre in Education); Richard Magnus (Fundraising Chairman); Diane Leith (Administration) and Susan BonningJennie Lewis (Receptionist).

Production Staff: Graham MacleanJames Ridewood (Resident Designer); Bill ShannonBeverley Hill (Design Assistant); Caroline Gyucha (Scenic Artist); James Henson (Lighting Designer); David Lees (Electrician); Michael WormaldGary CameronPaul ParkinsonDavid Palm (Properties); Howard Steele (Head Carpenter); Des Dougan / Peter Vosiliunas (Carpenter); Cornelis Boogaart* (Apprentice Carpenter); Marie Perry-WatsonLexi WrightJay Mansfield-Askew / Cynthia Bowen (Wardrobe Supervisor); Ken Bushby / Thelma Cope / Meredith Fogg / Margaret ReevesDanny Healy / Arlie McGill / Anne Long / Kerry Yates (Wardrobe); Ellen Kennedy / David McCrudden / Kit Oldfield / Patrick Whelan / Kristin Reuter / Jan Levi / Victor Ashelford / Colin Wilson / Barry Melville / Toby Simkin / Brian Barnes / Vito Arena / Peter Reeve± / Sussanne Humphries / Julianne White (Stage Management); Vicki BirchYvette (Capt) O’Brien (Production Secretary); Dawn Grieg (Wardrobe Hire) and Derrick George (Photographer).

Representation: Yolande BirdDiana Franklin (London Representative); Michael Menzies (New York Representative) and John Krummel (Sydney Casting & Repertoire Consultant).

S.G.I.O. Theatre Staff: Jim Wright (Manager); Alban RileyDon Fergusson (Assistant Manager); Peter PetrovichRay Calcutt (Head Mechanist); Patrick (Paddy) Teuma (Head Electrician) and Dallas Black / Kay Fifas (Booking Office)

Albert Park Theatre Staff: Wayne McKenna (House Manager); Margo Morris (Box Office)

Associate Artists: Billie Brown; Carol Burns; Reginald CameronIvar Kants; Joe MacColum; Warren Mitchell; James Ridewood, Cliff Simcox; Babette Stephens, MBE and Geraldine Turner.

QTC Guild: Magda Wollner (Coordinator); Alice BeacroftJoan Chamberlain, Bobbie Glyn Evans, Maureen Fallon, Sonja FarmerBeryl Foote, Neil FulwoodDolores Garland, Elaine Heath, Edna HeathwoodMargaret Hill, Ena Huppert, June Jamieson, Eva Klug, Irene Lefman, Patrick Mellick, Hillary MostenMaureen Mortensen, Barbara Nielsen, Joyce Nixon Smith, Gloria Phillips, Vivienne Reddy, Marea Reed, Melina Reed, Margaret Robinson, Grace Reynolds, June Sheedy, Ann Shevill, Toby SimkinSybil Simpson, Elaine SkinnerAnne Smith and Jess Yeowart (Volunteers)

* Salaries were assisted by a special grant from the Theatre Board of the Australia Council, a statutory body of the Commonwealth Government.
± Services were provided by the National Institute of Dramatic Art.
^ Services were provided courtesy of the Queensland Theatre Orchestra

The Queensland Theatre Company acknowledged the financial assistance of the Queensland State Government and the Commonwealth Government through the Theatre Board of the Australia Council without which the continued operation of the Company would not have been possible.
The Queensland Theatre Company was a founding member of CAPPA (Confederation of Australia Professional Performing Arts)

Saturday Sunday Monday