Starring Liam Neeson (Oscar Wilde); Peter Capaldi (Robert Ross); Richard Clarke (Sandy Moffatt); Tom Hollander (Lord Alfred Douglas); Stina Nielsen (Phoebe Cane); Daniel Serafini-Sauli (Galileo Masconi) and Alex Walkinshaw (Arthur Wellesley)
Understudies: Simon Brooking (Robert Ross, Sandy Moffatt), Matthew Greer (Lord Alfred Douglas, Arthur Wellesley, Galileo Masconi) and Miranda Kent (Phoebe Cane)
General Manager: Stuart Thompson Productions; Company Manager: James Triner; Production Stage Manager: Susie Cordon; Technical Supervisor: Gene O’Donovan; Stage Manager: Laura deBuys; General Management Assistant: Caroline Prugh; Casting: Daniel Swee, and Patsy Pollack; Press Representative: Boneau / Bryan-Brown; Online Marketing: Toby Simkin / BuyBroadway Inc.; Advertising: Serino Coyne,Inc.; Press Assistant: Mara Grace; Photographer: Ivan Kyncl.
The Judas Kiss premiered at the Almeida Theatre in London on March 12, 1998 and then on Broadway on April 29. The story of Oscar Wilde just before and after his imprisonment. Act One captures him in 1895 on the eve of his arrest. He still has a chance to flee to the continent but chooses to let the train leave without him. In the second act, Wilde is in Naples more than two years later, after his release from Reading Gaol. In exile, he is drawn to a reunion with his unworthy lover and a final betrayal.
As Founder and CEO of Theatre.com and BuyBroadway.com. The pioneer in moving the Broadway industry onto the internet. The theatre press branded me as “Toby is the man pushing theatre, kicking and screaming, into cyberspace.” What started in 1989 as a Broadway industry service called ShowCall via dialup BBS for members of the League of American Theatre Producers evolved onto the world wide web in 1993, and shortly after this, the vast majority of Broadway shows (starting with my production of Victor/Victoria) and theatrical organizations followed. The “Super site of Broadway” became a publicly traded company, prior to my re-branding it as Theatre.com at the Minskoff Theatre.
Described by Variety Magazine as a “marketing powerhouse“, it was the single largest theatre community in the world with over 180,000 active members (in the 1990’s this was massive). From buying official Broadway tickets and souvenirs, providing detailed global show listings, interactive show study & educational guides, live streaming shows and events (including many Opening Nights live broadcasts), industry news from major theatre journalists, pictures and videos, games, messaging directly to Broadway cast’s backstage or even licensing a musical, theatre.com offered it all in a single, easy-to-use interface to theatregoers across North America and globally.