Starring Kevin Spacey (Theodore Hickman, Hickey), Tony Danza (Rocky Pioggi), Robert Sean Leonard (Don Parritt), Tim Pigott-Smith (Larry Slade), Ed Dixon (Piet Wetjoen, The General), Michael Emerson (Willie Oban), Katie Finneran (Cora), Paul Giamatti (James Cameron, Jimmy Tomorrow), Patrick L. Godfrey (Cecil Lewis, The Captain), James Hazeldine (Harry Hope), Catherine Kellner (Margie), Clarke Peters (Joe Mott), Richard Riehle (Pat McGloin), Steve Ryan (Moran), Stephen Singer (Hugo Kalmar), Dina Spybey (Pearl), Skipp Sudduth (Chuck Morello), Ned Van Zandt (Lieb) and Jeff Weiss (Ed Mosher),
Understudies: Jarlath Conroy (Harry Hope, Hugo Kalmar, Cecil Lewis, Pat McGloin, Ed Mosher), Julian Gamble (Cecil Lewis, Pat McGloin, Ed Mosher, Larry Slade, Piet Wetjoen), Teri Lamm (Cora, Margie, Pearl), Matthew Mabe (Willie Oban, Don Parritt, Rocky Pioggi), Steve Ryan (Chuck Morello, Rocky Pioggi, Piet Wetjoen), Ned Van Zandt (James Cameron, Hugo Kalmar, Moran) and Isiah Whitlock, Jr. (Lieb, Joe Mott)
General Manager: Abbie M. Strassler; Company Manager: Edward J. Nelson; Production Stage Manager: Steven Zweigbaum; Technical Supervisor: Unitech II, Corp; Stage Manager: Rolt Smith; Casting: Jay Binder; Online Marketing by Toby Simkin / BuyBroadway; Photographer: Joan Marcus; Press Representative: Boneau / Bryan-Brown.
Kevin Spacey played Hickey in the Almeida Theatre London production of The Iceman Cometh for director Howard Davies, for which he received the Olivier, London Evening Standard and London Critics Circle Awards for Best Actor.
As Founder and CEO of Theatre.com and BuyBroadway.com. The pioneer in moving the Broadway industry onto the internet. The theatre press branded me as “Toby is the man pushing theatre, kicking and screaming, into cyberspace.” What started in 1989 as a Broadway industry service called ShowCall via dialup BBS for members of the League of American Theatre Producers evolved onto the world wide web in the early 90’s, and shortly after this, the vast majority of Broadway shows (starting with my production of Victor/Victoria) and theatrical organizations followed. The “Super site of Broadway” became a publicly traded company, prior to my re-branding it as Theatre.com at the Minskoff Theatre.
Described by Variety Magazine as a “marketing powerhouse“, it was the single largest theatre community in the world with over 180,000 active members (in the 1990’s this was massive). From buying official Broadway tickets and souvenirs, providing detailed global show listings, interactive show study & educational guides, live streaming shows and events (including many Opening Nights live broadcasts), industry news from major theatre journalists, pictures and videos, games, messaging directly to Broadway cast’s backstage or even licensing a musical, theatre.com offered it all in a single, easy-to-use interface to theatregoers globally.