Helpmann Awards Australia Poster

The Helpmann Awards

The Helpmann Awards, named in honour of Sir Robert Helpmann CBE, were established by Jan Stoneham, the visionary Chief Executive of the Australian Entertainment Industry Association (AEIA) in 2000 and first awarded on March 25, 2001 at the Lyric Theatre, Sydney to recognise, celebrate and promote our live performance industry.  Prior to this, there was no major national award down under. The Helpmann Awards are Australia’s equivalent of the Tony Awards on Broadway and the Olivier Awards in London.

In the late 1990’s, I assisted Jan’s development of The Helpmann Awards with introductory meetings in New York with the League of American Theatres & Producers, various industry leadership and the Tony Awards committees, and built the 1st website for them launching in 2000.

The annual Helpmann Awards recognise distinguished artistic achievement and excellence in the many disciplines of Australia’s vibrant live performance sectors including musicals, contemporary music, comedy, opera and classical music, theatre, ballet, dance and physical theatre, presentations for children and young people, regional touring and cabaret. The Helpmann Awards also incorporate two annual Lifetime Achievement Awards, the JC Williamson Award and the Sue Nattrass Award.

Helpmann Award

The Helpmann Awards Trophy

The artistic creation of silversmith Hendrik Forster encapsulates the relationship of the theatre communicated through the stage between the performer and audience.

  • The stepped base symbolises the stage.
  • The square column represents the performer, and the four sides each of the temperaments he or she can express: choleric (anger); phlegmatic (cool, self-possessed, even of temper); sanguine (courageous, hopeful and amorous); and melancholic (sadness, depression of spirit).
  • The triangular form suggests the face mask used in classical Greek theatre, and the crown the amphitheatre and audience.
  • Finally, the hierarchical design fittingly portrays the audience sitting at the apex of the piece.

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