Starring dancers Sandra Bootz, Pedro Calveyra, Luis Castro, Diego DiFalco, Marcela Durán, Carlos Gavito, Miriam Larici, Laura Marcarie, Claudia Mendoza, Guillermo Merlo, Gabriel Ortega,Karina Piazza, Nora Robles, Cecilia Saia, Jorge Torres, Carlos Vera, Carolina Zokalski with Carlos Morel (Singer)
General Manager: Richard Frankel Productions; Company Manager: Miguel Barreiro; New York Company Manager: Richard Biederman; New York Company Manager: Laura Heller (Apr 28, 1998 – Aug 02, 1998)
and Tour Manager: Nicoletta Becattini
Technical Supervisor: Tech Production Services, Inc. and Elliot Bertoni; Production Manager: Mark Gilmore; Stage Manager: Jorge González and New York Production Supervisor: Jim Woolley.
Press Representative: Boneau / Bryan-Brown; Marketing: Leanne Schanzer Promotions; Online Marketing by Toby Simkin / BuyBroadwway Online Inc.; Advertising: Serino Coyne, Inc.; Promotions: TMG Marketing & Publicity and Scott Walton Communications and Dance Captain: Jorge Torres.
Bandoneón: Lisandro Adrover, Hector Del Curto, Carlos Niesi and Victor Lavallén; Violin: Humberto Ridolfi and Rodion Boshoer; Viola: Oscar Hasbun; Cello: Dino Quarleri; Bass: Silvio Acosta; Piano: Fernando Marzan; Keyboards: Mario Araolaza
Dancer Replacements: Marijo Alvarez, Roberto Tonet, Marcelo Varela, Miguel Velázquez, Claudio Villagra and Lorena Yácono
Bandoneón Replacements: Miguel Varvello; Violin: Miguel Bertero and Leonardo Suarez Paz; Viola: Washington Williman; Bass: Domingo Diani; Keyboards: Jorge Vernieri
As Founder and CEO of Theatre.com and BuyBroadway.com. The pioneer in moving the Broadway industry onto the internet. Press branded me as “Toby is the man pushing theatre, kicking and screaming, into cyberspace.” What started in 1989 as a Broadway industry service called ShowCall via dialup BBS for members of the League of American Theatre Producers evolved onto the world wide web in 1993, and shortly after this, the vast majority of Broadway shows (starting with my production of Victor/Victoria) and theatrical organizations followed. Described by Variety Magazine as a “marketing powerhouse“, it was the single largest theatre community in the world with over 180,000 active members. From buying official Broadway tickets and souvenirs, providing detailed global show listings, interactive show study & educational guides, live streaming shows and events (including many Opening Nights), industry news from major theatre journalists, pictures and videos, games, messaging directly to Broadway cast’s backstage or even licensing a musical, theatre.com offered it all in a single, easy-to-use interface to theatregoers across North America and globally. The “Super site of Broadway” became a publicly traded company, prior to my re-branding it as Theatre.com at the Minskoff Theatre.