Project Description

Bomb-itty of Errors (Off Broadway)

The Bomb-itty of Errors (Off Broadway)

The Bomb-itty of Errors by Jordan Allen-Dutton, Jason Catalano, G.Q. and Erik Weiner with music by J.A.Q. opened at the Bleecker Street Theatre (45 Bleecker Street, New York) on December 12, 1999 and closed on  June 18, 2000 after 216 performances

Produced by Hal Luftig, Michael Lynne, Q Brothers and Daryl Roth; Associate Produced by Andrew Kato

Directed by Andy Goldberg; Set Designed by Scott Pask; Costumes Designed by David C. Woolard; Lighting Designed by James Vermeulen and Sound Designed by Sunil Rajan.

Starring Jordan Allen-Dutton, Red Dragon, G.Q. and Gruff, with J.A.Q. (Musician)

Understudied by Charles Anthony Burks

Production Stage Managed by Kate Broderick; Sound by One Dream; Online Marketing by Toby Simkin ( Inc); Press Representation by Karpel Group 

NOMINATED for 2000 Outer Critics Circle Award, Outstanding New Off-Broadway Play

As Founder and CEO of and  The pioneer in moving the Broadway industry onto the internet. Press branded me as “Toby is the man pushing theatre, kicking and screaming, into cyberspace.” The Broadway theatre supersite Buy Broadway OnlineWhat started in 1989 as a Broadway industry service called ShowCall via dialup BBS for members of the League of American Theatre Producers evolved onto the world wide web in 1993, and shortly after this, the vast majority of Broadway shows (starting with my production of Victor/Victoria) and theatrical organizations followed. Described by Variety Magazine as a “marketing powerhouse“, it was the single largest theatre community in the world with over 180,000 active members. The global theater supersite theatre.comFrom buying official Broadway tickets and souvenirs, providing detailed global show listings, interactive show study & educational guides, live streaming shows and events (including many Opening Nights), industry news from major theatre journalists, pictures and videos, games, messaging directly to Broadway cast’s backstage or even licensing a musical, offered it all in a single, easy-to-use interface to theatregoers across North America and globally. The “Super site of Broadway” became a publicly traded company, prior to my re-branding it as at the Minskoff Theatre.


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